"Peter's Eternity Road is fierce, political and sassy--definitely worth 15 cents in the pocket." — Flo Kennedy * * * "Chelnik's poetry reflects the rhythms of urban American life, its frenetic pace, its roaring energy. This is a poet whose roots go back to Whitman and Ginsberg, a poetry crammed with specific details that sensually recreate the poet's life and places in which he lives it. Chelnik is a unique and often startling poet." — Maria Maziotti Gillan * * *

Sunday, May 20, 2012

GO CAT GO Poetry Jazz Reading at the Greenwich Village Bistro, Sunday, June 3, 4:00-6:00 p.m.

Long Island poet, George Wallace and Manhattan poet, Peter Chelnik are back with GO CAT GO Poetry Jazz  Reading at the Greenwich Village Bistro, Sunday, June 3, 4:00-6:00 p.m.





Also, Bob Feldman on sax,  plus it'll be wide open for poets to jam with the music.



Admission is FREE!


Sunday, June 3, 4:00-6:00 p.m.


GO CAT GO Jazz Poetry Reading 

Greenwich Village Bistro
Father Demo Square

13 Carmine St between Bleecker and 6th venue
212-206-9777
greenwichvillagebistro.com



A, C, E, F, D to West 4th Street



Bios:

George Wallace (born March 22, 1949 in Hempstead, New York) is an American poet and poetry organizer.

Working from a base of operations in downtown New York City's poetry scene, from his family roots in Brooklyn and Long Island, and from his experiences living and working in Northern California, Massachusetts, North Carolina, Oregon and the United Kingdom, Wallace has created a grassroots network of venues for poetry.

His own poetry, in particular his performance oriented work, is imagination-based in its creation, emerging from a process of wordplay, surrealist deconstruction and bricolage into a final form that is typically characterized by accessible narrative and forceful rhythmic impetus. It is built on a foundation of a musical talent that emerged at the age of four, when he began reading and performing music, and shaped by his extensive readings in the literature of European Surrealism, the Whitman/Sandburg vortex, and the Beats. His work also bears the mark of 1960s concerns, particularly the social witness and aesthetic consciousness of that time.

His organizational efforts on behalf of poetry are based on professional training and disposition to community service developed through graduate studies with Guy Stuart and others at UNC-Chapel Hill in the mid '70s.













Peter Chelnik

Peter Chelnik's books include Railroad Heart, East Coast Line, Manhattan Wilderness, Eternity Road and Wildflower Serenade. He has had seven plays produced Off-Off-Broadway. These dramatic works include Street Rag, Prairie Fire, Parking Lot, Moving Target, Scarsdale Station and Tremont Vortex. Peter has also written Trick Bag, a novel of the 1960's. And yes, he does believe "the word will set you free." His latest book is STRAWBERRY HARMONY New Poems (Little Sky Press, March 2010).






Saturday, May 19, 2012

George Wallace to Rock the Upper East Side at Gracie's Corner Diner Monday, 6/11



Long Island poet George Wallace joins Peter Chelnik's Go Cat Go at Gracie's Corner Diner on Monday, June 11 at 6:45 p.m.





Admission is FREE!

OPEN-MIC!
 

Hosted by Peter Chelnik

Gracie’s Corner Diner

352 E 86th St
(between 1st Ave & 2nd Ave)
New York, NY 10028
Neighborhoods: Yorkville, Upper East Side
(212) 737-8505






George Wallace (born March 22, 1949 in Hempstead, New York) is an American poet and poetry organizer.

Working from a base of operations in downtown New York City's poetry scene, from his family roots in Brooklyn and Long Island, and from his experiences living and working in Northern California, Massachusetts, North Carolina, Oregon and the United Kingdom, Wallace has created a grassroots network of venues for poetry.

His own poetry, in particular his performance oriented work, is imagination-based in its creation, emerging from a process of wordplay, surrealist deconstruction and bricolage into a final form that is typically characterized by accessible narrative and forceful rhythmic impetus. It is built on a foundation of a musical talent that emerged at the age of four, when he began reading and performing music, and shaped by his extensive readings in the literature of European Surrealism, the Whitman/Sandburg vortex, and the Beats. His work also bears the mark of 1960s concerns, particularly the social witness and aesthetic consciousness of that time.

His organizational efforts on behalf of poetry are based on professional training and disposition to community service developed through graduate studies with Guy Stuart and others at UNC-Chapel Hill in the mid '70s.